TEACHING
Upcoming Classes
Lisa will be teaching a class and participating in a panel discussion at the TBR Writing and Publishing Conference on Saturday, January 17.
Sign up here: It’s a Great Idea – But Is It a Novel?
Or here: The Marketing Hustle
I’m offering two courses for Winter/Spring 2026 — the signature 13-week Novel Reactor course, and a brand new introductory novel course, Novel Elements.
The Novel Reactor is a 13-week generative course with in-class feedback, designed for 9 students. Classes run from 7 pm – 9:30 pm EST over Zoom. The Winter/Spring class will be held Monday nights from January 26 – May 11 (with a couple of breaks, so please check the calendar below). This course is for writers who have taken fiction workshops in the past. The cost is $585 per person.
Novel Elements is a four-week class providing an overview of novel-writing craft, and generative prompts to get the work flowing. The course is designed for eight students and will run on four Saturday mornings in February, from 10 – 12 am EST over Zoom. Novel Elements is open to writers who have never studied the novel before, but is equally appropriate for workshop veterans looking for a craft refresher. The cost is $195 per person.
The Novel Reactor
The goals of the Novel Reactor are as follows: to generate as many pages of your novel draft as possible in a 13-week period, while sharpening your writing and shaping your story arc. Each student in this class will have the opportunity to workshop a 10-page excerpt 4 times. Because you will not be reading your fellow students’ work outside of class as you would in a traditional workshop, your assignment is to write 10 new pages each week.
This is a course largely devoted to workshopping, though we’ll have at least three craft discussions scattered throughout the term. Optional readings on a variety of craft topics will also be shared.
The class also features an individual 30-minute Zoom conference with the instructor for each writer in the latter half of the course. These conferences are self-directed; you’ll come in with aspects of your work you’d like to discuss and I’ll help you brainstorm and troubleshoot.
This class will use the Novel in Progress method: you’ll read your 10 pages aloud to the group (double-spaced, 12-point font – should be roughly 2400 – 3000 words) as everyone follows along. A workshop schedule will be distributed two weeks before the first class, and your piece will be submitted to me as a PDF doc one hour before the start of the class when you’re scheduled to workshop.
As you read aloud in class, your classmates and instructor will follow along on the provided doc, jotting notes for themselves. Then we will discuss the piece as we would in a typical workshop. We’ll have 40 minutes for each student’s workshop slot, which allows ample time for both reading and discussion.
Course materials will be posted in a dedicated Google Drive folder. Here’s the full class calendar:
Jan 26
Feb 2
Feb 9
**No class Feb 16**
Feb 23
Mar 2
Mar 9
Mar 16
Mar 23
Mar 30
**no class Apr 6**
Apr 13
Apr 20
** no class Apr 27**
May 4
May 11
If you’d like to be part of the Winter/Spring 2026 Novel Reactor, e-mail lkborders@gmail.com to secure your spot. The deadline to sign up is January 14, with payment due at that time. You may Venmo payment to @Lisa-Borders-9, or contact me for information about other payment options.
Novel Elements
I’ve received a number of requests for a novel course providing an overview of craft, and I’m delighted to announce my new four-week Novel Elements class! This class will explore some of the most important elements of novel craft, and will provide a blueprint for honing your novel idea. We’ll also have time each week for some in-class exercises to get you working on your novel.
Each class will be devoted for the first hour to lecture and discussion of a craft topic, such as point of view, voice, characterization, and the scene. The second hour will be devoted to a writing prompt or prompts related to that week’s craft topic. Members of the class will be invited to share their responses to the prompts for in-class feedback as time permits. Please note that there will be no formal workshopping in this class.
Here’s the full class calendar:
Saturday February 7
Saturday February 14
Saturday February 21
Saturday February 28
If you’d like to be part of the February Novel Elements class, e-mail lkborders@gmail.com to secure your spot. Payment of $195 is due by February 1. You may Venmo payment to @Lisa-Borders-9, or contact me for information about other payment options.
Previous Novel Catalyst and Novel Reactor students have said:
This was more than workshopping. This was a deeper dive into the “why” and “how” of writing.
Lisa presents information in a digestible way, even for hypersensitive writers.
Incredibly helpful and encouraging.
I have gotten something out of every course I have taken with Lisa. She is such a supportive teacher and guide.
Every class I’ve taken has a great group of people whom I can learn from as writers and who provide excellent feedback.
Refund Policies
For Novel Reactor classes, refunds will be given in full up to two weeks before the first class, minus a $50 fee to help cover my costs in advertising for a new student. From 13 days prior to class to one day after, you’ll receive a credit for a future workshop, minus a $75 fee. More than one business day after class, I’m afraid I can’t offer a refund or credit.
For courses that are four weeks or less in length, refunds will be in the form of credits toward future classes, and will be given up to one week before class begins.
Developmental Editing: for novelists with a full or partial manuscript draft
As a developmental editor, I’ll read your novel twice and evaluate how it’s working in terms of elements of craft: voice, point of view, characterization, tension, the protagonist’s desire, part structure, plot. I’ll do heavy line editing on the first 30 pages to demonstrate patterns for sentence-level revision, and write comments and do occasional line edits throughout the rest of the manuscript.
I’ll then write a comprehensive editorial letter, 7 – 8 single-spaced pages long, where I detail what’s working well and areas for improvement. I’ll suggest possible revision pathways and recommend an overarching part structure. After you’ve received and read the manuscript with comments and the letter, we’ll schedule a one-hour Zoom meeting.
My rate is $100 per hour for developmental editing; the number of hours depends on both the length of the manuscript and the style of writing. I’ll quote you a firm rate before I start.
About Me
I’ve been teaching creative writing for more than twenty years. Early in my teaching career, I realized that novelists were underserved by traditional workshop formats, and I dedicated myself to devising classes geared specifically for the novel.
At Boston’s GrubStreet I developed and taught a variety of novel courses and programming, including the Novel in Progress classes and the Novel Generator program. I also co-developed the Novel Incubator program, and co-taught it in its first two years.
Applying the latest creative writing pedagogy to everything I’ve learned from the classes I’ve developed and taught, I launched the online Novel Catalyst and Novel Reactor workshops in 2021. The Novel Catalyst and Reactor models shatter outmoded workshop structures: writers are no longer “in the box,” required to maintain silence throughout discussion of their submissions, but are free to drive their own discussions. Classes take place over Zoom and are accessible to many geographical regions.
My developmental editing work has evolved from a service I offered former students who wanted to work with me after their courses had ended to a variety of options designed to help writers at all stages get their books written, revised, and ready to submit to agents or editors. I work primarily with novelists, preferring to focus my expertise and instruction on the novel’s inherent storytelling rewards and challenges. I enjoy working with all novel genres, including literary fiction, speculative/science fiction, young adult, mystery and historical, and have helped shepherd books in all of these categories to completion.
Articles And Testimonials
My former student Anna Williams did an interview with me at Dead Darlings filled with writing tips and insights into my teaching style.
Poets and Writers magazine wrote in 2016 about the Novel Incubator program I co-developed and co-taught.
Eighteen of my former students or clients have had their books published after working through an entire draft with me; others have agents shopping their manuscripts around, and still others have been published after we developed sections of their books in one of my classes.
Lisa is a wonderful instructor and an astute reader, with a deep knowledge of the craft. She worked closely with me to flesh out my characters and to develop each scene more fully – for my first and now my second novel. It’s been an invaluable experience studying with her.
— Patricia Park, author of Re: Jane (Penguin/Viking, 2015)
Having worked with Lisa as both my instructor in a group class and in a one-on-one consultant setting, I got to see firsthand what a gifted and giving teacher she is. She’s gifted in that she has the ability to not only communicate exactly the kind of editorial feedback an author needs, but how they need to hear it. I highly recommend Lisa for anyone wanting to get his or her manuscript to the next level, polished for publication, or anywhere in between!
— Jennie Wood, author of A Boy Like Me (215 Ink, 2014) and the Flutter comic series (215 Ink, 2013 – 2017; to be re-released by Dark Horse Comics in 2018)
Lisa Borders has a keen eye for the inner workings of a novel—what can bring a manuscript to life and what can kill it if left to molder undetected. She leads with an open mind and is always willing to listen, granting there are many paths to a finished book. I loved working with her.
— E.B. Moore, author of An Unseemly Wife (Penguin/Berkley, 2014) and Stones in the Road (Penguin/Berkley, 2015)
Lisa is a fantastic editor who offers experience, a keen eye, and enthusiasm. She has a wonderful ability to pinpoint trouble areas in a manuscript, while identifying the parts that work best and why. She understands the nuts and bolts of creating and refining a novel. She helped me revise the mystery that is now a multiple-book series. You’d be hard pressed to find a better editor. Hire her.
— Stephanie Gayle, author of Idyll Threats, Idyll Fears and Idyll Hands (the Thomas Lynch mystery series, Seventh Street Books, 2015, 2017 and 2018)
Lisa was one of the first people to see my novel in its raw and rough form. The enthusiasm she showed for my manuscript’s potential set me on a course that would eventually lead to a published novel. Lisa’s warm-hearted approach to feedback allowed me to see where my manuscript sang and where it could be improved, from structure and pacing, to increasing the suspense and rounding out my characters to make them feel more fully alive on the page. Her thoughtful guidance encouraged me past the hurdles of revision time and again. I recommend her without hesitation and could sing her praises for days.
— Kelly Ford, author of Cottonmouths (Skyhorse Publishing, 2017)